This scene in Inglourious Bastards, this particular part, was so brilliantly written. The characters are playing a game where you sit in a circle and write a famous person’s name on a card, flip it over, pass the card to the person next to you and stick it to your head without looking. Then you ask everyone questions to figure out who it is. This man- a Nazi commander- asked “Am I American?” (no but..) “Have I visited America?” (yes) “Was my visit fruitious?” (no) “Did I go against my will?” (yes) “Am I from a place you’d call exotic?” (yes) “Am I from the jungle?” (yes) “Did I go by boat?” (yes) “And when I got there was I bound with chains and presented in front of a crowd?” (yes!) “Well then. I know who I am. An African slave. No? Oh then I’m King Kong.” — and in one instance the viewer realizes the metaphor which King Kong was to the African slave trade (a truly Tarantino way of inserting social awareness through dialogue spoken by social oppressors) as well as takes a moment of almost comic relief to a very strange middle ground since we see just how intelligent and foolproof this man is. This is good filmmaking.
(Source: , via jeffthrowdown)
While David Fincher’s “The Girl With the Dragon Tattoo” pulled in $232 million in 2011, there’s been no official confirmations that the next two books in the Stieg Larsson trilogy, “The Girl Who Pl…
On Monday, Maureen Corrigan spoke to Fresh Air about her book, So We Read On: How The Great Gatsby Came To Be and Why It Endures. When Gatsby was published in 1925 it was a flop, but World War II turned that around. In fact, the Atlantic just published an article about the Armed Services Editions—books that were given to soldiers to keep in their uniform pockets so they had something to read to take their mind off of the death and destruction.
Here’s what Yoni Applebaum of Atlantic says:
Some of the selections [for the Armed Services Editions] were idiosyncratic. In 1945, Council picked out an older novel by F. Scott Fitzgerald that had never achieved popular success. It sold just 120 copies the previous year, and another 33 in 1945 before going out of print. The 155,000 copies of The Great Gatsby that they shipped out to the troops dwarfed all its previous print runs combined. Buoyed by that exposure, it would go on to become one of the great publishing successes of the 20th century.
Learn more about Gatsby’s incredible revival here.
In this week’s issue, John Lahr profiles Al Pacino:
“As an actor, Pacino has always been unafraid to do what he needs to in order to be in the moment; he trusts his instincts and explodes with whatever feelings come up. Performing, for him, is not so much a profession as a destiny. ‘This is what I’m meant to do,’ he told me. ‘It’s the cog in my life. With this, everything suddenly coheres.’”
Photograph by Dan Winters
So said he one fair morning, and all day
His heart beat awfully against his side;
And to his heart he inwardly did pray
For power to speak; but still the ruddy tide
Stifled his voice, and puls’d resolve away—
Fever’d his high conceit of such a bride,
Yet brought him to the meekness of a child:
Alas! when passion is both meek and wild!